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  1. I would suspect this book is a thriller the minute I learned that maybe the new friend from the grocery store couldn’t be trusted. What are the chances that a woman with a secret life meets another woman with a secret life?

  2. This sounds excellent – I do hope it’s available over here. I was struck when you said “Clove’s father could have easily been cast as a villain with no redeeming qualities, but Clove felt the same rage building inside of her that her father could not control”. It reminded me of a woman I knew once who regularly ranted about how her father had been a bully who took it out on everyone around him when he got angry, and I used to listen, thinking that the woman obviously didn’t know that she had exactly that same reputation.

    1. Yes, it was very poignant how that author drew these connections between the abusive father, and the angry daughter (but angry in a way she never showed outwardly). Plus, it was a page-turner! The best of both worlds.

  3. I’m not sure this is one for me, but I do appreciate any work of art that challenges the old stereotype that children replicate parents’ abusive behaviours. There are studies that validate that, but there are also studies that validate the opposite, that such children were motivated to exhibit the exact opposite behaviours (in response to their childhood trauma). And I’m still curious, what was it about the author’s style that convinced you that it should have been marketed as genre rather than lit fiction?

    1. Good question! It was very plot driven, and the twists at the end starting to pick up speed, get a bit more outlandish, etc. The character’s motivations started to feel a bit weaker, all in sacrifice to the plot moving – which of course isn’t such a bad thing, it just started to become a bit more unbelievable…

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