Dear reader; I wanted so much to like Lampedusa by Steven Price. At the time I’m writing this, it was announced as a shortlist contender for the Giller Prize, and because so many people in Canada are forming their reading lists based on this prize alone, I may be one of the few who are foolish enough to point out that this book is boring. Beautifully written, thoughtful and pensive, but utterly snore-worthy I’m afraid.

Aside from wanting to like this book because of its Giller-worthiness, I also wanted to like it because it’s written by the very talented Steven Price. I enjoyed his last book By Gaslight, even though it was three times longer than Lampedusa, and I generally enjoy books written by poets because their writing is unique and thought-provoking. And there are clear moments of delight in this novel, even though it is about a dying man, yet it didn’t come together for me in the end.

Lampedusa is the name of an Italian island that has been in the news lately, as migrants land there fleeing other coasts. But the book is based on a real person, Giuseppe Tomasi di Lampedusa, who wrote a book called The Leopard, which is still enjoyed today, most recently David Mitchell says it “kisses perfection full on the mouth”, among other things. It appears to be one of THOSE books, that you just have to read to understand its brilliance (insert eyeroll here). Price’s book details Giuseppe’s writing of The Leopard and what prompted it, which according to Price’s account, was the fatal diagnosis of emphysema and then lung cancer. A sense of grief hangs over this novel and its real-life story, as Giuseppe’s book was declined by two publishers during his last few years of life, and then published posthumously to great acclaim. Although this is the sad story for many accomplished artists, it’s painful reading about the last few years of someone’s life when you know what the eventual outcome is. Despite this, there is lots of light to be found elsewhere in the book; the setting descriptions will transport you directly to Italy with its sun-drenched alleys. I also appreciated the quiet dialogue between Giuseppe and his second wife which is subtly imbued with the stability of a couple that has loved each other for decades.
Other than the steady and satisfying descriptions, there isn’t much else to say about this book. Our protagonist doesn’t seem to evolve throughout, and the narrative is full of inconsequential inner musings and overly-complicated descriptions of family lineage. I found myself asking ‘why does this matter’ over and over again. Getting through this was a bit of a slog, and although it pains me to say it, I was dying for some sort of plot twist, spicy conversation, or even the dreaded unreliable narrator to shake things up. Unfortunately none of that materialized, so I was only left with a vague sense of disappointment. And because Price’s last book was so beautifully written AND well-plotted, I know this author can do better.
Well… I haven’t read this yet, so I’m really hoping I like it better than you did! Ha!
Lots of people did, so you may enjoy it 🙂
Oh good, no temptation today! Well, except for the kitten gif – makes me want a new fluffly little one in my life! I actually have The Leopard on my list and will be reading it sometime in the next few months, so I’m hoping it’s less snore-worthy than this one… 😀
I’m definitely intrigued by The Leopard now that I’ve read this one-looking forward to your review!
Great review! This one was on my radar, but it sounds like it would be a miss for me as well. I much prefer a bit more in my reading than beautiful writing!
Yes, me too 🙂
I hate to say that no one review I’ve read of this book has convinced me to read it, and I know several of my blog friends have reviewed it! I’m also turned off by the title: is this is a Medusa lamp? What is this??
Okay, but anyway. My goofy brain aside, I think the plot just sounds like boring old dying white man nonsense, and we’ve got loads of books like that already. BLECH.
Yes, you’re exactly right on that front. Why should we care? sigh.
Everything you say here is true! And yet – I liked this book! Have you read The Leopard? I haven’t and I’m curious whether or not reading it first would change the experience of reading Price’s book.
I haven’t read The Leopard, but I’m definitely intrigued by it. perhaps this is an experiment you should undertake? haha
I do want to read it now but I also don’t feel the urge to rush out and buy it. So I’ll probably get to it in a few years time!
put yourself on the library wait list now hah
Our library doesn’t have it so I’ll have to try and get it through the inter-library loan system. Or wait and see if I come across a secondhand copy!
Your comment on my review reminded me to come back and see what you meant when you said that we had different reading experiences of this one (I meant to, but I forgot).
So, now I see what you meant, and obvs this book isn’t to your taste. But he doesn’t need to “do better”: he’s done an outstanding job! 😀
I’d agree that it’s a slow and dense read, but, really, this is shortlisted for the Giller, so there are bound to be some more cerebral works on the list, no? It’s not Canada Reads. Which I don’t mean as a slam against Canada Reads, but shouldn’t a prizelist also be about skill and crafting, not necessarily trying to please as many readers as possible?
Yes, I know what you mean. And I think that’s how I always read things-how is this going to please a reader? Which isn’t always fair, because something like the giller prize doesn’t always put the reader first, but it doesn’t have to either. Awarding ‘craft’ is just as important.